Originally published at Storytellersunplugged.

Richard Dansky’s short story, besides being an intriguing story about monsters and possibilities and what hides in the dark, challenges the reader to think about our preconceptions and how they affect what we see.

He introduces the story with this tidbit:

There are a lot of lakes and ponds in the Triangle, many of them man-made. There’s one I pass driving to work every day, and another that sits across the street from my office. You can go there on your lunch break and see people fishing or sailing or throwing frisbees into the water for their dogs to chase. I’ve even availed myself of the facilities a few times, and am pleased to report I’ve only fallen out of a rented canoe once, and briefly.

An admittedly unscientific sample suggests that most of those folks have no idea that Lake Crabtree (and the “lake” part is purely an honorific; it’s about as deep as a Bret Michaels interview and covers only slightly more territory) was dug out with backhoes and bulldozers in the not-too-distant past. Even the signs posted at various semi-prominent points don’t get the point across. Maybe they’re ugly signs. Maybe people have come up with their own stories about where the lake came from and how long it’s been around, and if things are otherwise, they don’t want to know. Either way, it works for them.

Which, I suppose, is the point of the story.

Enjoy.

***

THE DEEP END OF THE SHALLOW WATER

We got out of the car just before sunset, a half-mile down a gravel service road that we shouldn’t have been able to access. The spot where we’d stopped was a pretty one, a clearing in the second-growth pine woods that ran up the edge of the body of water we’d come to investigate.

{Originally posted on Slouching Past 40.}

Carol was prissy.

Years of living alone had cemented the fact. Without Charlie around to raise his eyebrows, a bit mockingly but largely affectionately, she’d begun to give in to some of her more obsessive tendencies — like taking Charlie’s shirts to the dry cleaners every so often so that they wouldn’t smell dusty. She could not abide that smell of disuse. Or washing the car once a week, even if she’d used it only once, when she’d had to take Penfield to the vet for his shots.

Charlie had brought levity to her table, that’s why she had married him, and without him, she’d grown rigid. A prankster, Charlie had been, and though now and then his immaturity had caused her to throw up her hands, secretly she adored it. He’d always made her feel young, and light.

Until that evening in September when he’d groaned at the dinner table. Thinking he was joking — he always was! — Carol rolled her eyes and issued her standard, “Oh, Charlie.” But for once he wasn’t fooling around. He died right there, still in the middle of eating his pie, and only fifty-six years old. When Carol flashed on the scene, she didn’t see Charlie. She saw his pie, and the forlorn way Mrs. Smith’s apples sat on the plate never failed to make her weep, even now, almost a decade after Charlie’s passing.

She was in the supermarket inspecting eggs for cracks when Charlie’s unfinished pie came to mind. The image, unbidden, unwelcome, still so vivid, flustered her. With trembling hands she picked up egg carton after egg carton but couldn’t find one that had twelve perfect eggs, eggs without fissures or breaks, eggs that didn’t look half-eaten like Charlie’s pie — damn him, couldn’t he have just finished that pie? She was breathless and red in the face when she felt someone behind her. She turned to find a seventy-something man, his beard and hair salt-and-pepper, his eyes bright and mischievous, his physique not trim, exactly, but no worse than her own.